The Art of Filmmaking in the Digital Age
In an era dominated by digital technology, it's refreshing to discover a couple who have embarked on a unique journey into the past, crafting film in their basement. Mark and France Scully Osterman, a husband-and-wife duo from Rochester, New York, are not just film enthusiasts; they are time travelers, recreating the magic of early 20th-century cinema.
What makes their story particularly captivating is the level of dedication and expertise they bring to the table. Mark, with his extensive background in photography research, and France, a fellow educator, have assembled a collection of vintage equipment that would make any film historian envious. From a film coating machine to a rare FIMAN film developing drum, they've curated a mini-museum in their home.
Personally, I find it fascinating how they've embraced the challenge of producing film stock, a process that has long been the domain of major manufacturers. This isn't a commercial venture; it's a labor of love, driven by a deep appreciation for the art of filmmaking. Their goal is not to compete with industry giants but to preserve and celebrate a bygone era of photography.
A Chance Encounter, A Grand Adventure
The catalyst for this extraordinary project was a chance encounter with a rare Leica 1a "Hockey Stick" camera in Istanbul. This sparked a passion in Mark, leading him to acquire one of these vintage cameras for himself. From there, the idea of recreating the film used in the early Leica cameras of the 1920s took hold.
What many people don't realize is that early film, like the orthochromatic film used by Oskar Barnack, had unique characteristics. Its sensitivity to only blue and violet light created a distinct aesthetic, a far cry from the vibrant colors we're accustomed to today. Mark's endeavor to improve the ISO of this film while maintaining its vintage look is a testament to his skill and passion.
Illuminating the Past, Documenting the Present
One of the most intriguing aspects of their process is the use of red light. By working with film that isn't sensitive to red light, Mark and France can showcase their entire operation, something that would be impossible with modern film. This has allowed them to create a documentary, not just about their film-making process, but also about the history of photography itself.
Their journey takes an even more exciting turn as they prepare to present their work at Leica's headquarters in Wetzlar, Germany. The fact that they will be donating a roll of film shot by Oskar Barnack himself in 1914 is a significant contribution to photographic history. This film, one of the oldest 35mm films in existence, is a tangible link to the origins of 35mm photography.
A Labor of Love, Not Profit
Mark's statement about not making "one dime" from the documentary underscores the purity of their intentions. This project is about preserving history, sharing knowledge, and celebrating the art of filmmaking. It's a reminder that in a world driven by commercial interests, there are still those who pursue passions purely for the joy and love of it.
In conclusion, the story of Mark and France Scully Osterman is a testament to the enduring appeal of analog processes in a digital world. Their dedication to recreating the past, combined with their willingness to share their journey, offers a unique perspective on the history and art of photography. It's a story that not only illuminates the past but also inspires us to appreciate the beauty of vintage techniques in the present.
